The Family That Couldn't Sleep
In the introduction to the 2006 edition of The Best American Science
and Nature Writing, editor and physicist Brian Greene (author of the
excellent book Fabric of the Cosmos among others) has this to say
about the genre of popular science writing:
Like master chefs, the best science writers pare away all but the
most succulent material, trimming details essential to the
researcher that would be only a distraction to the reader. And by
carefully crafting narrative and using expository devices that
showcase the drama of scientific exploration and discovery, popular
works can maintain a high level of scientific integrity while
making difficult and technical subjects not only accessible but
moving and compelling. Good science writing can humanize the
abstraction of scientific research by establishing visceral,
meaningful connections to questions and issues we care about and by
humanizing the scientific process itself. In Einstein's words,
scientific research consists of "years of anxious searching in the
dark for a truth one feels but cannot find, until a final emergence
into the light." A reader who is led to envisage this search, I
believe, will start to bridge the gulf between the science and the
humanities. The best science writing can have that effect.
Never were truer words spoken than when applied to the book The Family
That Couldn't Sleep: A Medical Mystery by D.T. Max.
I purchased this book for my wife, the erstwhile nurse, for Christmas
after hearing an interview with Max on NPR's Science Friday. After she
finished and recommended the book, it sat on my night stand amongst
the collection of books that are either in the queue or in various
stages of completion. After finally finishing Team of Rivals by Doris
Kearns Goodwin and Diamond Dollars by Vince Gennaro (I told myself I
wouldn't start another until those were complete and I'll write more
about the latter in the future) I picked it up and found it even more
interesting than I had first imagined.
In short Max tells the story of the research that led to the discovery
of prions (pronounced "pree"-on by most but "pry-on" by the British)
and their role (such as the state of current research can figure out)
in a variety of neurological diseases in humans and other species from
the kuru of the Fore people of Papua New Guinea to scrapie in sheep,
CWD (chronic wasting disease) in deer, to GSS
(Gerstmann-Straussler-Scheinker) to CJD (Creutzfeldt-Jakob) and
finally to FFI (fatal familial insomnia) which forms the core of the
story around which the book is written.
Prion diseases, so the theory goes, are infectious bits of protein
that are abnormally structured and cause other proteins with which
they come in contact with to fold incorrectly as well through a
process akin to crystallization. They are especially fascinating since
they appear to be the only kind of disease that takes three distinct
forms. Some are inheritable like FFI (termed genetic), others are
infectious like Mad Cow, and others (although Max admits in the
Afterword that he doesn't really believe this is possible) are
accidental (termed sporadic) as is the case with CJD. Prion diseases
are also important because they're akin, although not the same much to
the disappointment of researchers, to diseases like Alzheimer's,
Parkinson's and Huntington's where defective proteins play a role.
Beyond the obvious benefit of helping those who suffer from prion
diseases, the hope is that understanding even those diseases that
effect relatively few (BSE has killed less than 200 people worldwide
despite widespread fear that it would kill millions) will lead to
breakthroughs in these diseases that do affect millions.
Just as in Greene's description of what the best popular science
writers do, Max humanizes this complex and still not well understood
field through the use of two very human stories. The first centers on
an Italian family (one of 40 such families in the world where a child
of a person with FFI has a 50% chance of contracting the disease)
whose various branches have likely suffered from FFI since at least
1765. It was then that, ironically enough, a Venetian doctor probably
contracted FFI, a disease which typically strikes around 50 years of
age and causes its sufferers to sweat profusely, their pupils to
contract to pinpricks, as they eventually to lose sleep to the point
where they often hallucinate and eventually die of exhaustion. In the
end their brains, especially that part that controls autonomic (not
under conscious control) impulses like sweating and sleep, are almost
entirely eaten away as misfolded proteins ravage the brain. Max traces
the disease to the present day recounting the lives and deaths of many
of the family members and the family's struggle to come to grips with
the implications of their disease in the modern world where research
holds out some hope of progress. Having some understanding that the
disease is brought on by stress, most of the family had lived under
the unspoken rule that, as in the words of one family member, "the
best way to prevent the disease was not to mention it." Much of that
has changed thouhh and now the family has even created an association
to raise money and reach out to other FFI families.
Interspersed with this often heart wrenching account is the story of
the scientists who first encountered the prion disease kuru in humans
(spread through the funerary feasts of the tribe where body parts of
dead relatives were consumed) after "first contact" with the Fore
people in Papua New Guinea in the 1940s. The most interesting
character in this vein of the story is Carlton Gajdusek, the scientist
with pedophillic tendencies who worked among the Fore tribe and who
received a Nobel Prize for his work on prions. Max then chronicles the
various lines of research and accompanying animosity in the scientific
community as well as perhaps the most polarizing figure, Stanley
Prusiner, who also won a Nobel Prize and coined the word "prion". This
part of the account takes on the air of a mystery while discussing the
various approaches and theories that came and went in the years since
kuru was discovered. From that perspective the book appears to be fair
in its attribution of the contributions made not only by Gajdusek and
Prusiner but many others as well who often did not receive the credit
due them. And most importantly Max is up front in acknowledging what
we don't know and gives the reader a sense of the uncertainty, hence
the mystery, still to be solved. That may not always be satisfying
since we love our stories to have endings, but is intellectually
honest and I think that's all we can ask of any writer.
Woven into both these stories are a good deal of the political and
social history of the kuru epidemic, scrapie in sheep going back to
the late 1700s, Mad Cow in England in the 1980s and 1990s, and finally
CWD and the hint of Mad Cow in America in the present even detailing
the conspiracy theories of the "Creutzfeldt Jakobins", as Max calls
them, who believe there is a massive cover up underway. In the end,
Max is hard on the British and American governments and uses the
infectious transmission of prions as an object lesson in the dangers
of human arrogance.
An excellent book and one that exemplifies what is best in popular
science writing.
 
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